Pregnant Sculpture - fired, slipped and finished

One of the most exciting things about working with clay is the transformation that occurs behind the locked kiln door. My sculpture of a pregnant figure went into the kiln a buff biscuit colour, and came out a brilliant white.


I painted on a white matt glaze, and it was bisque fired a second time (as opposed to a higher temperature stoneware firing). 


She went in a bright chalky white, and emerged a matt white glaze, with some cream showing through. This works with the form of the figure to give a calm and centered final piece.



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